Workshop Announcement!

Workshop Announcement!

A workshop of SHIMMER: A NEW MUSICAL will be featured as a part of the 2023 Yale Innovation Summit in partnership with the Yale Schwarzman Center, Midnight Oil Collective, and Long Wharf Theater. The workshop will be held on June 1 from 7-9pm ET at The Dome in the Yale Schwarzman Center. A select number of tickets are available to theatre industry professionals and members of the Yale and Connecticut communities. To reserve your spot, please write to marketing@midnightoilco.com or use the contact form below.

“Shimmer: A New Musical” by Sarah Schulman (book), Anthony Davis (music), and Michael Korie (lyrics).

SHIMMER is revelatory portrait of McCarthy-era Manhattan – It is 1948 in Manhattan. Aspiring reporter Sylvia Golubowsky pays her dues in the steno pool at the tabloid New York Star, along with other girls whose eyes are on the back of the chair in front of them, the next step up the ladder. In the Village, Columbia University graduate Cal Byfield is stuck flipping burgers to support his dream of a Negro theatre on Broadway. Against the backdrop of post-World War II New York City and under the growing shadow of the Red Scare, these indelible characters collide with one another amidst the larger drama of the historical moment.

This fresh reinterpretation of the McCarthy era reframes our understanding of the "blacklist" to show how racial and sexual discrimination create their own ongoing exclusions, and how the politics of treachery impact the most intimate relationships.

A workshop of “Shimmer” will take place at Yale’s Schwarzman Center in May 2023.

Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer and AIDS historian. A Guggenheim fellow in playwrighting, her previous productions include CARSON McCULLERS (Playwrights Horizons/The Women's Project -dir Marion McClinton), MANIC FLIGHT REACTION (Playwrights Horizons -dir Trip Cullman, w/Deirdre O'Connell,) THE BURNING DECK (La Jolla Playhouse, w/Diane Venora) ENEMIES, A LOVE STORY (adapted from IB Singer, Wilma Theater w/Morgan Spector) and THE LADY HAMLET (Provincetown Theater-dir David Drake, w/Jennifer Van Dyck - winner BroadwayWorld/Boston Best New Play of 2022.) She is the author of 20 books including the novels SHIMMER and THE COSMOPOLITANS (one of the best novels of 2016 - Publishers Weekly) and LET THE RECORD SHOW: A Political History of ACT UP, NY 1987-1993, THE GENTRIFICATION OF THE MIND, and CONFLICT IS NOT ABUSE. Sarah holds an endowed chair in Nonfiction at Northwestern University and is on the Advisory Board of Jewish Voice for Peace.

Opera News has called Anthony Davis “A National Treasure” for his pioneering work in opera.  In 2020, he was awarded the Pulitzer Prize in Music for his the opera THE CENTRAL PARK FIVE. His music has made an important contribution not only in opera, but in chamber, choral and orchestral music. He has been on the cutting edge of improvised music and Jazz for over four decades. Anthony Davis continues to explore new avenues of expression while retaining a distinctly original voice. Mr. Davis has composed eight operas. X: THE LIFE AND TIMES OF MALCOLM X with a libretto by Thulani Davis, had its world premiere at the New York City Opera in 1986. Detroit Opera presented a new production of X with director Robert O’Hara in May 2022 and at Opera Omaha later in the Fall of 2022.  The opera was recorded in Boston with the Boston Modern Orchestra Project in June 2022 and the CD was released in October 2022. The opera will be performed later this year at the Metropolitan Opera in New York City with subsequent performances planned in Chicago at the Lyric Opera of Chicago and Seattle Opera. UNDER THE DOUBLE MOON, with a libretto by Deborah Atherton, premiered at the Opera Theatre of St. Louis in 1989 and TANIA, an opera based on the kidnapping of Patty Hearst with a libretto by Michael John La Chiusa, premiered at the American Music Theater Festival in 1992 was recorded and released for KOCH International in October of 2001 and received its European premiere in Vienna in November, 2003. His fourth opera, AMISTAD premiered at the Lyric Opera of Chicago on November 29th, 1997. AMISTAD was created in collaboration with librettist Thulani Davis and was directed by George C. Wolfe. A new production of the opera, directed by Sam Helfrich, debuted at the Spoleto USA Festival in Charleston, South Carolina in May, 2008. A recording of the opera was released on New World in 2008. Anthony Davis’ opera WAKONDA’S DREAM with a libretto by Yusef Komunyakaa had its world premiere with Opera Omaha in March 2007. LILITH, an opera about Adam’s first wife based on Allan Havis’ acclaimed play with a libretto by the playwright, debuted in 2009 followed by LEAR ON THE 2ND FLOOR, an opera inspired by King Lear, in March 2013. A new production of the opera was presented at Eastman School of Music in November 2022. His most recent opera THE CENTRAL PARK FIVE with a libretto by Richard Wesley was presented at Long Beach Opera in 2019 with performances with Portland Opera and again with Long Beach Opera in 2022. The opera was recorded in June 2022 and will be released next year.

A graduate of Yale University in 1975, Mr. Davis is currently Distinguished Professor of Music at the University of California, San Diego. In 2020 he was elected as a member of the American Academy of Arts and Letters. In 2008 he received the “Lift Every Voice” Legacy Award from the National Opera Association acknowledging his pioneering work in opera. In 2006 Mr. Davis was awarded a fellowship from the John Simon Guggenheim Foundation.  Mr. Davis has also been honored by the American Academy of Arts and Letters, the New York Foundation of the Arts, the National Endowment of the Arts, the Massachusetts Arts Council, the Carey Trust, Chamber Music America, Meet-the-Composer Wallace Fund, the MAP fund with the Rockefeller Foundation and Opera America. He has been an artist fellow at the MacDowell Colony, Civitella Ranieri and at the Rockefeller Foundation’s Bellagio Center in Italy.

Michael Korie received The Marc Blitzstein Award from the American Academy of Arts and Letters for his work in both musical theater and opera. His collaboration with Tom Kitt and James Lapine, Flying Over Sunset, premiered at Lincoln Center Theater in 2021 with a Tony-nominated score. Korie wrote the lyrics to composer Scott Frankel’s music for the Broadway productions of War Paint and Grey Gardens, with books by Doug Wright, and the Off- Broadway productions of Far From Heaven with book by Richard Greenberg, and Happiness with book by John Weidman, directed by Susan Stroman. Korie and Frankel’s scores have been nominated for Tony and Drama Desk Awards, received The Outer Critics Circle Award, and have been produced on Broadway, at Playwrights Horizons, and at Lincoln Center Theater as well as throughout the USA and abroad. The London premiere of Grey Gardens won the Offie Award for Best Musical of the year.

For opera he adapted Steinbeck’s The Grapes of Wrath composed by Ricky Ian Gordon. Also with Gordon, The Garden of the Finzi-Continis premiered this past season at New York City Opera and National Yiddish Folksbiene-Theatre with upcoming productions in Europe. Korie's original librettos to operas composed by Stewart Wallace include Harvey Milk, Where’s Dick?, Kabbalah, and Hopper’s Wife. A new “reimagined” production of Harvey Milk premiered to acclaim this year at Opera Theater of Saint Louis, and will be seen next year at Opera Parallele in San Francisco. Korie’s operas have been produced at San Francisco Opera, Houston Grand Opera, Minnesota Opera, New York City Opera, BAM Next Wave Festival, Opera Theater of Saint Louis, Michigan Opera, and abroad in Germany and Australia.

Korie’s lyrics have received the Edward Kleban Prize, Jonathan Larson Award, and the ASCAP Richard Rodgers Award. His songs with composer Scott Frankel were featured at Lincoln Center’s American Songbook series at Jazz at Lincoln Center, and at The Kennedy Center’s Millennium Stage Broadway Today. Korie co-chairs the Dramatists Guild Opera Committee which holds educational forums and podcasts to create more equitable collaborations between composers and playwrights, and produced the short film “Credit the Librettist,” featuring interviews with dozens of opera composers and playwrights. For the Dramatist Guild Foundation, Korie co-chairs the musical theater division of the Fellows Program for emerging musical theater creators. He teaches musical-theater lyric writing at Yale University, and musical book writing at Columbia University School of the Arts, and leads collaboration seminars for opera composers and theater playwrights for both American Opera Project (AOP) and American Lyric Theater. Korie serves on the advisory committee of The American Theatre Wing. He is a Fellow of MacDowell and Yaddo.

Learn more.

If you are interested in contacting the “Shimmer” team about investment, production opportunities, or press, please fill out the form and someone will get back to you in a timely manner.